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UNKNOWN MATISSE, THE（ISBN=9780375711336）书籍详细信息
- ISBN：9780375711336
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2005-10
- 页数：512
- 价格：129.50
- 纸张：胶版纸
- 装帧：平装
- 开本：大16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Henri Matisse is one of the masters of twentieth-century art
and a household word to millions of people who find joy and meaning
in his light-filled, colorful images--yet, despite all the books
devoted to his work, the man himself has remained a mystery. Now,
in the hands of the superb biographer Hilary Spurling, the unknown
Matisse becomes visible at last.
Matisse was born into a family of shopkeepers in 1869, in a
gloomy textile town in the north of France. His environment was
brightened only by the sumptuous fabrics produced by the local
weavers--magnificent brocades and silks that offered Matisse his
first vision of light and color, and which later became a familiar
motif in his paintings. He did not find his artistic vocation until
after leaving school, when he struggled for years with his father,
who wanted him to take over the family seed-store. Escaping to
Paris, where he was scorned by the French art establishment,
Matisse lived for fifteen years in great poverty--an ordeal he
shared with other young artists and with Camille Joblaud, the
mother of his daughter, Marguerite.
But Matisse never gave up. Painting by painting, he struggled
toward the revelation that beckoned to him, learning about color,
light, and form from such mentors as Signac, Pissarro, and the
Australian painter John Peter Russell, who ruled his own art colony
on an island off the coast of Brittany. In 1898, after a dramatic
parting from Joblaud, Matisse met and married Amélie Parayre, who
became his staunchest ally. She and their two sons, Jean and
Pierre, formed with Marguerite his indispensable intimate
circle.
From the first day of his wedding trip to Ajaccio in Corsica,
Matisse realized that he had found his spiritual home: the south,
with its heat, color, and clear light. For years he worked
unceasingly toward the style by which we know him now. But in 1902,
just as he was on the point of achieving his goals as a painter, he
suddenly left Paris with his family for the hometown he detested,
and returned to the somber, muted palette he had so recently
discarded.
Why did this happen? Art historians have called this regression
Matisse's "dark period," but none have ever guessed the reason for
it. What Hilary Spurling has uncovered is nothing less than the
involvement of Matisse's in-laws, the Parayres, in a monumental
scandal which threatened to topple the banking system and
government of France. The authorities, reeling from the divisive
Dreyfus case, smoothed over the so-called Humbert Affair, and did
it so well that the story of this twenty-year scam--and the
humiliation and ruin its climax brought down on the unsuspecting
Matisse and his family--have been erased from memory until
now.
It took many months for Matisse to come to terms with this
disgrace, and nearly as long to return to the bold course he had
been pursuing before the interruption. What lay ahead were the
summers in St-Tropez and Collioure; the outpouring of "Fauve"
paintings; Matisse's experiments with sculpture; and the beginnings
of acceptance by dealers and collectors, which, by 1908, put his
life on a more secure footing.
Hilary Spurling's discovery of the Humbert Affair and its effects
on Matisse's health and work is an extraordinary revelation, but it
is only one aspect of her achievement. She enters into Matisse's
struggle for expression and his tenacious progress from his
northern origins to the life-giving light of the Mediterranean with
rare sensitivity. She brings to her task an astonishing breadth of
knowledge about his family, about fin-de-siècle Paris, the
conventional Salon painters who shut their doors on him, his
artistic comrades, his early patrons, and his incipient rivalry
with Picasso.
In Hilary Spurling, Matisse has found a biographer with a
detective's ability to unearth crucial facts, the narrative power
of a novelist, and profound empathy for her subject.
From the Hardcover edition.
书籍目录：
Illustrations
Family Tree
Preface
CHAPTER ONE · 1869—1881: Bohain-en-Vermandois
CHAPTER TWO · 1882—189l: Bohain and St-Quentin
CHAPTER THREE · 1891-1895: Paris
CHAPTER FOUR" 1895—1896: Belle-Ile-en-Mer
CHAPTER HVE. 1897—t898: Paris, Belle-Ite and London
C,APTER SIX · 1898—1899: Ajaccio and Toulouse
CHAPTER SEVEN · 19oo-19o2: Paris
CHAPTER EI6HT · 1902—1903: Paris and Bohain
CHAPTER NINE · 1904: St-Tropez
CHAPTER TEN · 1905: Collioure
CHAPTER ELEVEn · t906—1907: Paris, Algeria and Collioure
CHAPTER TWELVE · 1907—1908: Paris, Collioure, Italy and
Germany
Key to Notes
Notes
Index
作者介绍：
Hilary Spurling was born in England and educated at Oxford
University. She has been theater critic and literary editor of The
Spectator, is now a regular book reviewer for the Daily Telegraph,
and has written biographies of Ivy Compton-Burnett and Paul Scott.
She lives in London.From the Hardcover edition.
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编辑推荐
Matisse was born in 1869 in northern France and grew up in
Bohain-en-Vermandois, near the Belgian border, on the drab, cold,
wet beet fields of French Flanders. The same area, culturally and
geographically speaking, had produced Vincent van Gogh sixteen
years before. Thus begins the first full biography of an artist
who, more than any other, is associated with Mediterranean heat,
brilliant color and light, and languid, luxurious interiors. As
author Hilary Spurling points out, an open window is one of
Matisse's frequent motifs. Given the climate of his youth, that
image speaks more of escape than of the sea air of the French
Riviera.
If all biographers wrote with Spurling's warmth, empathy, and
intelligence, no one would likely want to read any other kind of
book. The Unknown Matisse is thoroughly researched, with pages
devoted to minutiae that Spurling imparts with wit and style,
making every nuance of Matisse's early development fascinating. She
tells too the story of Matisse's family life (Mme. Matisse risked
her respectable reputation by adopting Henri's first, illegitimate
daughter), his brilliant ideas about art, and the years it took for
his paintings to find their rightful audience. It was her intention
finally to give as much weight to Matisse's life as has been given
to his work, but in the process of examining the man she sheds new
light on the art as well. --Peggy Moorman
书籍介绍
Henri Matisse is one of the masters of twentieth-century art and a household word to millions of people who find joy and meaning in his light-filled, colorful images--yet, despite all the books devoted to his work, the man himself has remained a mystery. Now, in the hands of the superb biographer Hilary Spurling, the unknown Matisse becomes visible at last.
Matisse was born into a family of shopkeepers in 1869, in a gloomy textile town in the north of France. His environment was brightened only by the sumptuous fabrics produced by the local weavers--magnificent brocades and silks that offered Matisse his first vision of light and color, and which later became a familiar motif in his paintings. He did not find his artistic vocation until after leaving school, when he struggled for years with his father, who wanted him to take over the family seed-store. Escaping to Paris, where he was scorned by the French art establishment, Matisse lived for fifteen years in great poverty--an ordeal he shared with other young artists and with Camille Joblaud, the mother of his daughter, Marguerite.
But Matisse never gave up. Painting by painting, he struggled toward the revelation that beckoned to him, learning about color, light, and form from such mentors as Signac, Pissarro, and the Australian painter John Peter Russell, who ruled his own art colony on an island off the coast of Brittany. In 1898, after a dramatic parting from Joblaud, Matisse met and married Amélie Parayre, who became his staunchest ally. She and their two sons, Jean and Pierre, formed with Marguerite his indispensable intimate circle.
From the first day of his wedding trip to Ajaccio in Corsica, Matisse realized that he had found his spiritual home: the south, with its heat, color, and clear light. For years he worked unceasingly toward the style by which we know him now. But in 1902, just as he was on the point of achieving his goals as a painter, he suddenly left Paris with his family for the hometown he detested, and returned to the somber, muted palette he had so recently discarded.
Why did this happen? Art historians have called this regression Matisse's "dark period," but none have ever guessed the reason for it. What Hilary Spurling has uncovered is nothing less than the involvement of Matisse's in-laws, the Parayres, in a monumental scandal which threatened to topple the banking system and government of France. The authorities, reeling from the divisive Dreyfus case, smoothed over the so-called Humbert Affair, and did it so well that the story of this twenty-year scam--and the humiliation and ruin its climax brought down on the unsuspecting Matisse and his family--have been erased from memory until now.
It took many months for Matisse to come to terms with this disgrace, and nearly as long to return to the bold course he had been pursuing before the interruption. What lay ahead were the summers in St-Tropez and Collioure; the outpouring of "Fauve" paintings; Matisse's experiments with sculpture; and the beginnings of acceptance by dealers and collectors, which, by 1908, put his life on a more secure footing.
Hilary Spurling's discovery of the Humbert Affair and its effects on Matisse's health and work is an extraordinary revelation, but it is only one aspect of her achievement. She enters into Matisse's struggle for expression and his tenacious progress from his northern origins to the life-giving light of the Mediterranean with rare sensitivity. She brings to her task an astonishing breadth of knowledge about his family, about fin-de-siècle Paris, the conventional Salon painters who shut their doors on him, his artistic comrades, his early patrons, and his incipient rivalry with Picasso.
In Hilary Spurling, Matisse has found a biographer with a detective's ability to unearth crucial facts, the narrative power of a novelist, and profound empathy for her subject.
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