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The Flight of the Creative Class： The New Global Competition for Talent创造型人才的流失：全球争夺人才的新浪潮书籍详细信息
- ISBN：9780060756901
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2005-04
- 页数：326
- 价格：158.40
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Research–driven and clearly written, bestselling economist Richard Florida addresses the growing alarm about the exodus of high–value jobs from the USA.
Today's most valued workers are what economist Richard Florida calls the Creative Class. In his bestselling The Rise of the Creative Class, Florida identified these variously skilled individuals as the source of economic revitalisation in US cities. In that book, he shows that investment in technology and a civic culture of tolerance (most often marked by the presence of a large gay community) are the key ingredients to attracting and maintaining a local creative class.
In The Flight of the Creative Class, Florida expands his research to cover the global competition to attract the Creative Class. The USA once led the world in terms of creative capital. Since 2002, factors like the Bush administration's emphasis on smokestack industries, heightened security concerns after 9/11 and the growing cultural divide between conservatives and liberals have put the US at a large disadvantage. With numerous small countries, such as Ireland, New Zealand and Finland, now tapping into the enormous economic value of this class – and doing all in their power to attract these workers and build a robust economy driven by creative capital – how much further behind will USA fall?
书籍目录：
1. The Flight of the Creative Class
Part Ⅰ: The Creative Age
2. Creativity Matters
3. The Open Society
Part Ⅱ: The Global Competition for Talent
4. The Closing of America?
5. The New Competitors
6. Regions on the Rise
Part Ⅲ: Losing Our Way
7. Creative Class War
8. Divided We Fall
9. Building a Creative Society
Appendix A: Global Creativity by the Numbers
Appendix B: Measuring the Class Divide
Notes
Acknowledgments
Index
作者介绍：
Richard Florida is the author of the bestselling The Rise of the Creative Class. He is the Hirst Professor of Public Policy at George Mason University and lives in Washington, D.C.
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书籍介绍
For the first time ever, the United States is truly in danger of losing its most crucial economic advantage -- its status as the world's greatest talent magnet -- argues best-selling author and economist Richard Florida. Where America was once the first destination for foreign students and the last stop for scientists, engineers, musicians, and entrepreneurs wishing to engage in the most robust and creative economy on the planet, it has now become only one place among many where cutting-edge innovation occurs.
Burgeoning global technology hotspots. The outsourcing of ingenuity. Rising intolerance. A faltering education system. Cities torn by inequality. Disconnected political leadership. According to Florida, they all point to the looming creativity crisis that is causing the decline of American economic might.
In the groundbreaking The Rise of the Creative Class, Florida introduced the United States to the rules of engagement in the creative age. Florida's 3 Ts of economic development -- Technology, Talent, and Tolerance -- took him around the world and back again, sparking an international debate over the causes and effects of long-term prosperity, development, and innovation.
The Flight of the Creative Class takes Florida's arguments to the next level, explaining how the same conditions that affect regional economic development, talent exchange, and the unleashing of human creativity play out on the world stage.
He sees cause for concern for the United States -- a country long accustomed to its comfortable position at the helm of the global economy -- and pockets of potential opening up from Sydney, Shanghai, and Amsterdam to Dublin, Bangalore, and Toronto.
But the United States still boasts one of the most diverse and creative citizenries in the world, and Florida points out that if it can discover solutions to address rising inequality, the global dissemination of talent, and the inherent tensions of the creative age, it will once again lead the pack. If only the rest of the world doesn't discover those solutions first ...
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